red envelopes for the wrong new year

Happy New Year, friends.

I hope your New Year’s Eve was lovely. Mine was uh… loud. The place where I live is surrounded by neighbors setting off fireworks for miles, all of it shooting up into the sky like a long-distance conversation of noise and light.

I also got co-opted for a neighbor’s drum concert, set live in a storage closet, fog machine and strobe lights included. Like I said—loud.

  • I posted an AU of an upcoming book on AO3 yesterday: Safe to Hold.
  • And idk if anyone here partakes in Amazon, but if so, The Electric Hymnal is free until January 4th. aka the one with the Catholic incubus. This book has always been kind of an unloved little duckling, but it still has a soft spot in my heart.

Thanks for sticking by me through another year. I really hope 2025 is the best year to come for all of us. If you’ve fought your way through 2024 tooth and nail, I hope you get some well-deserved rest. And if you’re tired of resting and ready to shake things up, I hope 2025 gives you plenty of opportunity to do the things you care about.

Love you! See you in the new year <3

On Losing Your Way and then Finding It Again

I got lost this year. Like, really lost. Existential unsettlement on an entirely new plane sort of thing. This didn’t feel like one of my run-of-the-mill, every other Tuesday crises (which do, unfortunately, exist). This was something else.

And I think, actually, that in retrospect I came closer to actually giving up on writing than I’d ever come in my life, which was a strange and unmooring place to be. I’ve pinned my life on this thing, on the love of it. Without it, who am I? What do I even… do?

It looks like I might not have to answer that question because I’m finding my way back, little by little, but in the rearview, maybe I can take a look at the things that brought me here.

  1. I learned a lot about marketing this year.
  2. I found some very helpful author mentors.
  3. Both of these things, in aggregate, kind of completely shattered my confidence in my own writing.

I learned about The Market. I learned that my writing is emphatically not to-market. My sales grew as a result of my efforts to clean up my passive marketing—my blurbs and covers and newsletter.

And all the time, I felt increasingly far away from my work. I felt more and more alienated. I started to wonder what the point was, on a wholly new and crushing level. Will no one buy my books? Am I, really, actually, doing it all wrong?

Here’s the thing: I’ve always known that the things I write aren’t, like… A+ super universally palatable. I draw a lot of inspiration from danmei and Asian BL. I’m fascinated by unusual POV and deconstructed language. I am, on some level, always here to break your heart and mine. On some level, my goal with every book is to slightly confuse people and show them a bad time (cathartic). That’s… not exactly bestseller material.

And yet I think I always hoped, or dreamed, or believed, that if I stayed the course, that maybe I’d Make It someday. And for the first time, I found myself surrounded by authors who had been doing it for far less time than I had, with much more success than I had, and they were writing to market, and I wasn’t.

Was I doomed to sit in the Amazon doldrums forever? Would I really never achieve success if I didn’t cut out the artsy crap and start writing what people* really wanted to read?

And like… maybe. Maybe all that is true! Maybe this venture really is, on some level, doomed to perpetual failure. But! We are the artists we are, and I actually cannot make any art other than the art I can make, and not for lack of trying. I can only tell the stories I can tell. I’m fundamentally uninterested in sanding off the rough and sore and painful edges in favor of something slightly more marketable; I’m not sure I’d be very good at it anyway.

Someone told me the other day that I write about loss and grief, and I think that’s true. I don’t know if anyone wants to read about loss, about the fragile things we hold in our hands. But, hey, if you do, then I’m here, and I’ve got some stories for you.

Pretty blorbo creep

This is probably one of the dumbest things I do, but sometimes I think about whatever the equivalent of power creep is in my books—pretty blorbo creep. The point of diminishing returns on loveliness? All of my characters are the fairest in the land, but occasionally I’ve sat down and tried to rank them for my own edification.

Here’s my current list, btw, from most to least beautiful. This is completely unserious:

  • White
  • Nice / Galahad (sorry, they’re tied)
  • Lynx
  • Charis
  • Durant

White and Nice have the edge on being supernaturally lovely. Galahad is just freakishly beautiful despite being completely human. Lynx and Charis are bringing up the rear as also human, but, you know, kpop idols so still gorgeous. I think Durant has more charm than bewitching good looks, but I do think he’s very handsome, too.

I want to toss another character up there, but if I did, I’d have to out myself on my Super Secret Pen Name, and I’m not sure I’m ready for that commitment yet 😛

Tripping Over POV

So, POV. It’s a real thing, huh? Most modern books are written in a close limited third person (so you’re in one person’s head but calling them by their name. Think, “John did this. He also thought that.”) or first person, where we’re on an “I” basis with the narrator.

I’ve never been a huge fan of reading or writing in first person. It just feels a bit too close. I want some narrative distance. Also, if I’m here to fawn over the blorbo, I want you to tell me blorbo’s name 10 million times, thanks. Remind me that we’re here for blorbo. And tell me how pretty they are.

You know what’s really not popular? “Head-hopping.” You know what I really like to do?

Yeah.

It started when I read this one author’s stories that were just the most catnippy to me. At first, their prose was repellant. It was like a seasick merry-go-round with the POV changing every few paragraphs …but then it grew on me.

I started reading danmei, which plays fast and loose with POV. I’d say it tends toward omniscient POV. I’d also say it dips into the heads of any character it damn well pleases.

And now I’m here, with a style that doesn’t seem very popular, getting slammed with terrible reviews at least half the time. I always think… I know the prose is like that. I did it on purpose. Sorry.

But am I, really? Not really. Not enough to stop, when I really think about it. There are things about my writing style that make me insecure and things I’d like to do better (always!) but I think… this is what I’m interested in pursuing for now, for better or for worse.

So I’m trying to get better about not cringing away from it and just embracing it and letting it be, instead. I don’t think it’s going to be everybody’s cup of tea, but I hope that there are some people reading my stories who like them. Maybe I’m writing for those people.

I know that at the end of the day, I have to be writing for me because the only guarantee I ever have with my books is that I’ll have written them. If no one ever likes them, if they don’t ever sell, I need to have gotten enough joy out of the process of writing that writing will have been enough. You see?

Thoughts and character ramblings

Thinking about Charis since I just spent three months writing about him. He was simultaneously kind of peaceful and frustrating to write because he feels like he’s on the other side of some plexiglass from his own thoughts and feelings. Nice feels like that, too, to a lesser extent, but I think Nice is so much more chaotic and prone to acting out that it doesn’t feel so muffled in there. Like you can hear an echo.

They both end up supported by people who love them; I’m hesitant to use the word ‘found family’ because of the kind of aggressively Pure connotation it’s taken up in some parts of the internet. Plus, Nice ends up supported by family with no other qualifiers, considering he marries into it.

But I think the tenor of that support changes, too. Charis’ found family, in the form of his members, feels much more tight-knit and a bit more careful. I think Charis is very honestly surrounded by love, care, and support by his peers. Nice’s family doesn’t love him or each other any less—they very obviously love each other so fiercely—but I think they’re just as chaotic as he is, in their own ways.

They feel like… that big house of people scattering in different directions, and it makes sense. After all, they all have their own lives.